“DEMONS” is a collection of demons rendered by Sadie Nielson, our September/October artist in residence. Over the course of Sadie’s first month at Popps, Sadie made a series of small paintings, and hanging fabric sculptures inspired at least in part by her recent increased awareness of the destructive nature of human activity on the earth as well as the existential threat it poses to itself.
Join us this Friday, June 28th from 6-9PM at Popps Packing for open studios and view our June Resident’s works in progress!
Friday, June 28th
Popps Packing 12138 St. Aubin St. Hamtramck, MI
Carley Zarzeka (PA) received her MFA in Studio from The University of North Carolina at Chapel Hill. In her work in progress series “Wear Closed Toed Shoes”, Zarzeka explores how standardization has become essential in the world of product design and their relationship to the domestic space. She does so through a sculptural and installation-based practice collecting common objects to construct a framework of time and place that though aims for individualism, falters due to unconscious, generic consumerism.
Michael Hubbard (TX) born and raised in the Detroit-area, has been creating a multi-panel painting inspired by women of Detroit’s music history. Titled “Rocksteady,” the painting combines images of Aretha Franklin, Mary Wells, and other soul artists, forming a complex portrait of a sound.
Gabrielle Finn Egnater (CA) is in the midst of a series titled, “Mini Monuments” , that questions which objects can “mark importance” and which objects are a “marker of importance”. Egnater’s newest body of work aims to allow the audience to place their own memories and desire on the “marker of importance” by creating “adjustable monuments”.
Macro View is the first exhibition in the newly renovate Popps Emporium Resource Space and features the macro photography of Joseph Ferraro who documents native pollinators and other invertebrates.
BYOB ( Bring Your Own Birdhouse) is a garden installation of sculptural takes on birdhouses featuring Chris Riddell, Andy Kem, Julia Callis, James Viste, Graem Whyte, Bridget Michael, Sean Hages and more. Located in the gardens behind Popps Emporium.
April 27 -May 30, 2019
New Works by Karin Karinson
ONE NIGHT ONLY!
Saturday April 27, 2019 . 6PM -9PM
Popps Packing is excited to present the new works by spring artist in residence, Karin Karinson (Götaland, Sweden) for a one-night exhibition of a new body of work created during her two month residency at Popps Packing.
Karin is a sculpture artist, working primarily in clay and incorporating all stages, shapes and forms of the material into her work. Resting in the rivers of glossy glaze, she blends ready-made, found, porcelain objects with self-created sculptures; shards of people’s desires and fantasies, things forgotten, and left behind protrude through a dreamy manifestation of the fragmented natural world.
Learn more here and here: https://www.facebook.com/events/1210324182463367/?active_tab=about
As a part of the College for Creative Studies Craft Department thesis exhibition, “boundaries”, ranges in disciples from ceramics, glass, metal smithing, fibers, and furniture.
Featuring the work of artists Steven Kin, Liz Coy, Noah Mantei , Feather Chiaverini , Cai Steen, Erika Williams, Tyler Zibkowski, Taylor Thomas , Jaminely Emmanuelli, Alex Martin,Peter Caparaotta, and Jordan Rose.
A group show curated by Detroit artist and writer Timothy van Laar. This show includes work by artists: Barbara Kendrick (Omaha, NE), Ryan Standfest (Detroit, MI), Michelle Wasson (Chicago, IL), and Timothy van Laar.
A Conspiracy of Accidents examines the use of collage in the work of four artists, Barbara Kendrick, Ryan Standfest, Timothy van Laar, and Michelle Wasson. Collage is an image making process that formally disrupts more stable contexts, offers startling reconstructions and hybridity, and questions assumptions about the original sources of its images. Since collage acknowledges both the previous meaning of an image and the rupture of that context into something new, collage promotes the multiple uses of images and the uncertainties that this multiplicity generates. This exhibition considers the nature of collage through four very different approaches to the medium.
Andrew Mehall’s “CLOCK CAGE” aligns you with your senses, or at least bring you pause with your sense of the world. T.V. footage of swimming polar bears and modern-day music is disrupted by a massive leather sofa, a cumbersome lounging devise placed upon flesh-toned foam. A plaque listing dates sits amongst, the stars and there you stand by candlelight and peanuts.
Healing Vortex is an outdoor installation located on Carpenter, across the street from Popps Packing. Drinks and snacks will be served inside Popps. The Installation will be on view through Saturday.
David Marion’s sculptural creations explore reciprocal relationships between human activity, technology, and the natural world. Marion brings together natural and man-made materials to reflect on humanity’s impact on the environment and technology’s influence on society. Throughout his practice, the artist references microbiology, science fiction, industrial technologies, and the politics of environmental issues.
David lives in Baltimore Maryland and is a graduate of the College for Creative Studies in Detroit.
A native of the Detroit area, Jordan Sullivan’s new paintings present a diverse cast of characters gathered in public and private spaces. Made on canvas and found wood from abandoned and demolished Detroit houses, the images become part of an ongoing narrative of belonging, community, and coexistence.